runaway

I have squeezed out my city

for mellow sweet waters at dawn

as well as bitter fluorescent juices at dusk,

drank from ever-interrupted flows;

took in the whole load: gagged, swallowed.

I have squeezed out my city

for rivers to entrench themselves

for rivers not to feed, but to become, the sea.

those waves I liked to call coincidence,

although I, the moon, had summoned the tide.

I have squeezed out my city,

over and over with my bare hands.

that means: wrung out, pressed, extracted

until the last drop died;

cried, as I myself ran dry – and away. 

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bleeding, three times

I even carried my blood home with me last night. leaving

behind no stain on your too soft bed, despite the slaughter

you had done to my heart and parchment paper uterus.

now watch me as I creep beneath your house premenstrual,

staring at your windowsill: Come see me again, wide open.

Prolifically enlightened, I am only yours to kill.

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boomerang

and then the details

come back to me:

like boomerang-shaped needles.

the farther I throw them away,

the harder they pierce my chest

and my weakened stomach wall

to scar me with the stories

about the shape of your upper ear

the one I could have been

or could still be – roaming.

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flattering effects

don’t you dare flatter yourself for the reciprocity

I am a Schrödinger’s conundrum

I want you and do not, both at the same time 

.

don’t you dare flatter yourself for any of my moves 

when I’m telling you that it takes two to Tango

I might know the steps, yet you sure took the lead 

.

don’t you dare flatter yourself for the fire that I start

I was just about to light another cigarette

to blow some smoke into your face

.

don’t you dare flatter yourself for the grasp 

by the low-fenced window side

it was wide open and I was close to fall

.

don’t you dare flatter yourself for the song we sing 

as close as we were that night, you’re not the one 

running in my head, nor breaking my chest 

.

don’t you dare flatter yourself for my boldness and my courage 

they’re my possessive claims’ only disguise 

washing off beneath your tongue 

.

and don’t you dare try me again –

instead, pretend as if this never was

and we, in fact, did not exist.

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D. issues

I crave for your approval

like I did for my Dad’s

back in school:

for my marks, my jokes and

silly dreams.

.

I want all your approval

the way I get it from my Dad

nowadays:

for my job, my jokes and

unlived dreams.

.

needing your approval

is like going back in time,

to the girl

who’s thinking of her dreams

as something to be judged – and finally dismissed.

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where they tore down the house

at the Southern corner of the station

(where red steel blends into the tracks,

below the blurred graffiti creations):

try to not get stuck in the cracks,

Keep right until on fresh tar,

turn left, avoid the crosswalk,

ride on and mind the parked cars,

stop beside the grey block.

—

here, before and after town,

they’ve recently torn down

the house where we first kissed.

—

in a room with no doors,

nothing but us on wooden floors,

It must have caused a lot of dust.

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as king

as king, do you ever knock?

as king, do you enter her tower

before she has even let her hair down?

or let it grow long enough at all?

as king, is all that ripens, blooms and flourishes,

just for you to pick?

hanging from the tree

rooted in the paradise you claim to own?

as king, do you treat her like

the medium rare deer on your plate?

like something to be covered in sauce,

to be devoured, like prey?

as king, do you ever mistake

greed for lust?

boorishness for decency?

and bluntness for sincerity?

as king, does your keen eye drift

in boredom as I write,

onto another soft-curved creature,

hedged in the wilderness you roam?

as king, do you ever call out for the queen?

just to hear her voice, hear what she has to say?

and when she answers back,

will you listen, too?

as king, can you sit tight, tighter?

as king can you pull yourself together?

as king, can you surrender to

asking?

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your mixtape

SIDE A

 

I THINK (Tyler the Creator, 2019)

there’s a limit to your love (James Blake, 2011)

somewhere only we know (Keane, 2004)

somewhere over the rainbow (Israel Kamakawiwo’ole, 1990)

I don’t know what the weather will be (Laura Mvula, 2013)

although the sun is shining (Fleetwood Mac, 1969)

never seen the rain (Tones and I, 2020)

 

SIDE B

 

And so it goes (Billy Joel, 1989)

late in the evening (Paul Simon, 1980)

all is full of love (Björk, 2002)

I am in love with you (Imogen Heap, 2005)

even though (Norah Jones, 2009)

just like Jesse James (Cher, 1989)

too much love will kill you (Queen, 1992)

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ventilator effects

there is pressure on my diaphragm

like right before a free fall,

before I cry, throw up,

or laugh hysterically.

my head hums to flickering eye lids

as there’s a sparkly liquid

running down my spine and stomach wall.

it is coming from my head, I think.

 

these sure are just the side effects

of your new ventilator.

It must have been,

the rhythmed blasts of air

towards our locked hands,

heavy breathing,

and our beating hearts,

that cause me so much pain today.

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